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Canson
Arches W/C Blocks
Professional grade watercolour paper of the highest quality. 100% Cotton, cylinder mould made with natural gelatin tub sizing. Natural white (no optical bleaches) and Acid Free. 20 Sheets glued on 4 sides with a gap for inserting a blade to lift off the top sheet when done. One of the best blocks on the market – use once and you won’t want to change!
Arches W/C Sheets
Professional grade watercolour paper of the highest quality. 100% Cotton, cylinder mould made with natural gelatin tub sizing, 4 deckled edges. Natural white (no optical bleaches) and Acid Free. Watermarked with Arches logo
Arches Oil Blocks
Mi Teintes
Mi-Teintes® paper comes in a good range of different colors and is dual-surfaced which allows artists to explore different techniques along with a large range of mediums. Mi-Teintes® offers the most extensive color selection in the market. Heavy texture for pastel and other broad media on one side; lighter texture for soft pencil on other. Light-fast and Acid-free. Mi-Teintes is 50% cotton. For several centuries now, Mi-Teintes® has been used by master pastel painters and is still recognized worldwide as the preferred paper for paste
Moulin Du Roy
Caran D’Ache
Neocolour I
Neocolor I water-resistant wax oil pastels are must-have medium much loved by artists, technical designers, teachers and Fine Art students alike. Internationally known by its own name and a pioneer in the field, Neocolor I revolutionised the world of drawing and art teaching from the time of its creation in 1952 in the Caran d’Ache workshops. Its excellent coverage, the smoothness of texture, the luminosity of the 60 colours in the entire range, together with its resistance to water and extreme lightfastness, make it one of the pillars of the Geneva-based Manufacture. The Neocolor I’s properties enable countless applications on all kinds of backgrounds or materials. Suited to endless forms of artistic expression – from strokes to flat-wash, sgraffito or hot-wax painting, its colours remain as luminous as ever on coloured or dark materials.
Neocolour II Water Soluble
Neocolor II water-soluble wax oil pastels highlight the enormous innovative capabilities of the Maison Caran d’Ache. Created in 1972 as the continuation of the famous Neocolor I range, they offer boundless creative possibilities for artists and beginners alike. Basing their work on the existing excellent qualities – exceptional coverage, smoothness and extreme lightfastness –, the craftsmen of the Manufacture added water solubility, a property greatly appreciated by connoisseurs of the Maison from all manner of artistic fields and from school age upwards. Neocolor II can be used for all forms of creativity, ranging from drawings on dry or wet materials, monotypes, impregnation, wet drawing, glazing or rainbow gradation. With 84 colours, the entire range offers almost unlimited scope for the imagination, to the point where even experienced artists once more see things through the eyes of a child, thereby liberating the purest of all creative energies: that of the sheer wonderment evoked by colours.
Neopastel
With its soft, velvety texture and high pigment content, the Neopastel oil pastel offers artists and Fine Art teachers and students a flexible medium with strong colours. Developed in the Caran d’Ache workshops on the advice of expert pastel artists, Neopastel is a must with its huge range of 96 luminous hues, incorporating a wide selection of grey, warm and cold tones. Neopastel offers excellent coverage making it suitable for a wealth of applications and artistic combinations: from lines to flat-wash, blending to stencilling, or batik effect to sgrafitto in multiple layers. Its wide 10mm diameter, refined texture, water resistance and excellent lightfastness make it ideally suited for use on diverse materials, be they tinted or dark. Non-drying, non-oxidisable and heat resistant, Neopastel is also soluble in turpentine and can be used with ease for oil painting on canvas.
Supracolor Pencils Ea
Supracolor Sets
Charbonnel
The range of Charbonnel colours has been redesigned by our laboratory to increase their qualities and obtain a more balanced colour chart. Some colours have been improved in terms of power, wiping and siccative properties and ligntfastness. New colours such as gold and silver have been added. Packaging : 60 ml tubes, 200, 400 ml and 800 ml jars (black only).
Charvin
Fine Oils 150ml
Conte
Conte Sticks
Conte Pencils
Carres Crayons
Carres Crayon Sets
Daler Rowney
Canford
Canford Coloured Paper and Card are high-quality paper and stiff card in a wide range of brilliant, matt colours, perfect for presentation and display in every setting – from the professional design studio to the school art room. It’s also an exciting and versatile medium in its own right for paper sculpture and modelling, decorative arts, collage and craft. Easy to cut, curve, crease and emboss to create three-dimensional works of art.
Cryla
Cryla Artists’ Acrylic was introduced by Rowney & co. in 1963 and pioneered the use of artists’ acrylics in Europe; it is one of the significant milestones in the company’s development. Cryla Artists’ Acrylic colour is a very heavy-bodied colour with a high loading of permanent, lightfast pigments. The unique heavy, buttery feel under the brush and knife is popular with artists wanting to achieve a wide variety of impasto effects
75ml
Sets
System 3
59ml
250ml
500ml
Sets
Pads
Hard Back
Langton
For many years artists have appreciated the qualities of the Langton. The paper is colour-stable, mould-made and acid-free. The best watercolour papers are acid-free to prevent the deterioration of paint and to preserve the integrity of the paper over time.
Layout
Pastel
Sketch
Tracing
Mount Boards
Edding
Calligraphy Marker 1455
Chalk Marker 4095
Colour Pen 1200
Fineliner 55
Gloss Paint Marker 750
Matt Paint Marker 4000
Porcelain Brush Marker 4200
Textile Marker 4500
Textile Pen 4600
Faber Castell
Polychromos
Polychromos Sets
Crayons
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Pitt Pen Sets
Erasers
Graphite
Manga
Goldfaber Chalk Pastels
Not as soft as Sennelier or Schmincke but far cheaper. In addition the square shape ensures you can always get a line by using the corner.
Goldfaber Oil Pastels
Albrecht Durer
Albrecht Durer Sets
Art Grip Aquarelle
Art Grip Aquarelle Sets
Clutch Pencils
Leads
Sharpeners
Jullian
Liquitex
Liquitex paints, mediums, and tools have been developed as a complete system to work on virtually all porous surfaces. Because all of our acyrlic paints and mediums have been formulated to intermix, artists can create an unlimited range of special effects: from thick sculptural applications to thin permanent watercolors and everything in between.
59 ml
138ml
Mediums
Liquitex offers the broadest range of acrylic mediums to inspire creativity at every stage of the painting process. We understand that acrylic mediums are often a difficult concept to grasp until you actually dive into them, so we’ve tried to simplify usage by classifying products in three distinct categories: Prep, Paint, and Finish.
MABEF
One of the leading manufacturers of wooden easels in the world – a MABEF easel is one we can really recommend
Easels
Box
In many ways he Ideal Easel ! The box design makes this easel very sturdy in indoor or outdoor use. The palette stores away wet for later cleaning, and 2 canvasses or boards can be carried on the front of the easel without touching each other. The legs fold up into the easel, making it easy to carry and suitable for table use. Available in 2 sizes
Portable
Studio
Table
Painting Boxes
Palettes
Michael Harding
In his own words: “My paints are made by hand, using techniques which date back to the days of the Old Masters. There is a very simple reason for this painstaking process. As an artist and painter I wanted to create colours that were true and vibrant, and paint which was beautiful and durable. The greater the pigment content of a paint the greater the resistance it has to fading. Nearly all manufacturers use various fillers to extend the volume of the oil paint. It may increase profits but it compromises on quality. I totally refuse to do this. Why make something exceptional and then dilute it? I will not claim that my paints will turn you into a great painter, but I can promise they will have a profound effect on your work. Your colours will be stronger and richer, and you will find the texture of the paint incomparable. You will love working with them. Try them. You will be amazed”
40ml
250ml
Mediums
Montana
Montana BLACK
Montana BLACK is the superior can of it’s class. The Nitro-Combination based formula ensures a high coverage, matte finish, perfect control and handling. Short drying time allows rapid re-application and overlapping with other colors immediately. Non-scented aerosol paint made to the highest quality, health and environmental standards. Montana BLACK spray paint is famous for its quality and reliability. The perfect tool for street art and graffiti artists. With it’s high pressure valve, Montana BLACK allows users fast application. Weather and winterproof.
Schmincke
College Oils
College® Oil Series 31 Beginners as well as artists who use large quantities of colours can now obtain a new reliable artist oil colour in student quality with 24 colours made of proven artists’ pigments and natural plant oils (linseed and sunflower oil). All colours are available in 200 ml-tubes in only one price group – including gold and silver. The range includes 18 opaque/semi-opaque and 6 transparent/semitransparent colours, with very good light fastness ratings (4 – 5 stars) for durable intense colours. oil colours are compatible with all other Schmincke oil colours ( MUSSINI®, Norma® Professional, AKADEMIE® Öl color) as well as the Schmincke oil colour mediums. Benefits: oil colours are characterized by easy use and application. The colours can easily be mixed and dry quite fast and evenly. The smooth and buttery consistency allow the use of brushes and painting knives maintaining – when desired – the brush strokes. Primary colours College yellow, College magenta and College cyan allow infinite mixture of brilliant colour shades. SPECIAL OFFER WHILE STOCKS LAST – Buy 1 get a free Schmincke brush, Buy5 get a free white Your free products will be added to your order before we dispatch.
College Oil 35ml
200ml
Genuine Artist Bronzes
Formulated based on real metal pigments for painting techniques in oil, acrylic and water-colour/Gouache colours. 5 colours are available: rich gold, rich pale gold, pale gold, copper and silver
Bronze Powders
Acrylic
Ready to use acrylic colours, for special effects on acrylic paintings and other grease free surfaces, such as paper, cardboard, wood, metal, plastic or gypsum. Use: Apply undiluted with a brush on the surface of your choice. Can be diluted with water; dries wipe and water resistant.
Aqua
For glossy metal effects in Gouache- or water-colour paintings on less absorbent surfaces such as paper, cardboard, painting board or canvas (not suitable for gypsum, metal or plastic!). Use: Mix required quantity of Aqua-Bronzes shortly before application with little water on a palette. Can further be diluted with water. The amount of added water influences the opacity and gloss of the colour
Oil
Iridescent metal effect on oil paintings or other pre-primed surfaces, such as wood, metal or gypsum. Use only in combination with bronze medium (50 032) – containing cumarone resin. When used on absorbent surfaces, we recommend an additional pre-treatment with turpentine substitute (50 019) and thinned bronze medium. Use: Mix 3 parts Oil-Bronze and 2 parts bronze medium with a painting knife – shortly before application. If requested, thin with e. g. turpentine substitute; dries wipe and water-resistant. Colour layers remain soluble to oil of turpentine (50 102) or turpentine substitute after drying.
Horadam Artist Watercolours
HORADAM® AQUARELL Finest artists’ water-colours, series 14 110 colours in small and large tubes and full and half pans Each colour has its own individually optimized formula 69 single pigment colours for brilliant mixing results Pans poured 3-4 times in liquid state Highest lightfastness Dried colour can be rewetted for further use High control of paint flow even on soft water-colour papers Excellent quality “Made in Germany” Same formulations for tubes and pans Available in following sizes: 110 colours in whole (3,2 ml) pans and 15 ml tubes
Whole Pans
Schmincke Horadam Pans are unique – it is the SAME paint that is in the tubes. Schmincke are the only manufacturer to do this. This means the colours never go hard!
15ml Tubes
Sets
Horadam Watercolours by Schminke feature brilliant colours in large whole pan at a very good price. Highly recommended. The large pan size makes them very easy to use.
Lino Inks
Finest artists’ water-based aqua LINOPRINT colours, 15 brilliant shades as well as 3 effect colours (gold, silver, copper) 4 special mediums + 1 universal fixative water-based colour + natural raw materials (gum Arabic) only highest light fastness (4+5 stars) even, sharp prints highly intense colours, good miscibility Available in following sizes: 35 ml tubes (15 + 3 effect colours), 120 ml tubes (17 colours), 250 ml jars (7 colours)
35ml
120ml
Mussini
MUSSINI®, finest artists’ resin-oil-colours, series 10 The artists’ natural resin-oil-colours which are unique throughout the world Based on old masters’ formulations 101 colours + 7 new gold shades offering the ultimate in brilliance and purity, including 64 single pigment colours 42 exquisite translucent colours Premium artists’ pigments in highest concentrations Maximum possible light-fastness Balanced drying process Tension-free and durable colour-layers
35ml
Mediums
Norma Professional
Norma® PROFESSIONAL Finest artists’ oil colours, series 11 84 shades including unique special tones Use of renewable raw materials e.g. pure high-quality plant oils Only highest light fastness (4 + 5 stars) The drying process occurs evenly and there is an even consistency among all colours Maximum efficiency by using the highest concentration of pigments Versatile colours suitable for all painting techniques We recommend these are a very good value Artist’s quality paint
35ml
120ml
Sets
Pastels
Working with Schmincke’s finest extrasoft pastels leads you back to the origin of colour and is a real painting experience rather than simple drawing. They contain only the purest medium fine ground artists’ pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery during manufacture. ‘Worm extruders’ form the pre-kneaded dough into round skeins, which are then detached by hand and cut in a wirestrung frame. The damp sticks have to dry for around eight days before they can be labelled and packed by hand. This is a costly and time consuming process, however it is the only way Schmincke can guarantee homogenous quality and smoothness in all the production cycles, in order that the artist can be assured that his favourite colour shade is consistant throughout our range of finest extra-soft artists’ pastel colours. The complete assortment includes 400 colours classified in 80 rows with 5 colours each. The range contains also 5 additional pearl lustre effect colours. Pastel paintings will always remain…
Sticks
Sets
Mediums
Sennelier
Acrylics
CREAMY AND RICH TONES The goal of this new line was the creation of a line of artist-grade acrylics that has the consistency and rendering capability similar to those of extra-fine oils. The texture is that of a colour paste, creamy and rich, revealing desired brush or knife marks. With 120 shades, Sennelier offers one of the broadest palettes on the market. These colours have a high pigment content (primarily single pigments), selected to provide optimal stability over time. Sennelier has also included the colours that made its line of extra-fine oils famous. Thus, the colour chart includes the traditional ultramarines, earths, and ochres. It includes, among others, tones made from cadmium and cobalt based pigments. Finally, there are colours based on quinacridone, pyrrole, naphthol, and phtalocyanine from recent research that offer new possibilities to painters.
Abstract 120ml
Abstract 500ml
Professional 60ml
Sets
Artists Oils
In 1887 (same year as ourselves!), Gustave Sennelier established himself as a colour merchant on the Quai Voltaire in Paris. Sennelier’s passion for colour chemistry and focused pigment research led to the development of a distinctive oil colour manufacturing process that has been employed for generations. Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture, a consistency originally developed for the expressive style of the Impressionist painters who frequented the Sennelier store in the 19th century. Sennelier’s meticulous work, his vast knowledge of pigments, his talents as a colourist, and collaboration with Cezanne and other Masters gave rise to a palette of oil colours that quickly became the standard of quality. Favoured by some of the greatest artists (Monet, Gauguin, Matisse, Picasso, Bonnard, Modigliani, Chagall, Ernst, Hockney), Sennelier oils hang in the world’s most prestigious museums. Today, Sennelier’s classic palette is expanding with 50 new, original shades that encompass contemporary…
40ml
200ml
Oil Sets
Pastel A l’Ecu
EXCEPTIONAL BRIGHTNESS It took over three years, at the turn of the 20th Century, to formulate the Sennelier range of Extra Soft Pastels “à l’écu” and thus to create one of the largest chromatic range of pastels. Throughout the century, this range of tones has evolved, but the heart of its making remains unchanged.
Sticks
Sets
Oil Pastels
In 1949, Parisian painter Henri GOETZ approached Henri SENNELIER the famous artist materials manufacturer, about creating a wax colour stick for his friend Pablo PICASSO. Picasso, a long-time Sennelier customer and a frequent visitor to their store across the street from the Louvre museum, was looking for a medium that could be used freely on a variety of surfaces without fading or cracking. Their collaboration produced the incomparable SENNELIER oil pastels. Originally available in a palette of classic hues, the colour selection was expanded with the addition of metallic and iridescent hues. Beyond these classic hues a selection of unique shades is available, and in particular a gradation of greys, required for a balanced palette. This evolution is the fruit of a long-standing collaboration with European and North American painters, who have worked with our company in developing an exceptional palette of shades. The Sennelier oil pastel is a product that makes use of the components used in all Sennelier colours: top quality pigme nts, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidise and that has no effect upon either film stability or surface. This…
Small
Large
Sets
Pastel Card
Watercolours
HONEY-BASED WATERCOLOUR A watercolor tailored to the needs of today’s artists. A honey-based watercolor. Honey has many virtues: a symbol of light and sun, an emblem of poetry and science and has been used since Ancient times as a remedy for dry skin and to help heal wounds. This nectar is used in L’Aquarelle Sennelier not only as a preservative but as an additive giving incomparable brilliance and smoothness to the paint. Always striving for excellence, Sennelier has reworked its watercolor formula with increasing the amount of Honey in the paint to reinforce the longevity of the colors, their radiance and luminosity. Watercolors Made in France using traditional methods. L’Aquarelle Sennelier has been produced in the same way for more than a century using the best pigments and top quality Kordofan Gum Arabic as a bonding agent. This mix of natural ingredients produces colours which have a smooth, bright texture and offer lively, colourful shades. The Gum Arabic and honey combination offers incomparable quality of application, producing superb washes. Then, this base is mixed with pigments and carefully ground. Sennelier makes sure to wet the pigments in purified water (with no mineral salts) for 24 hours before mixing them in…
10ml
Sets
Winsor & Newton
Artists Oils
Artists’ Oil Colour is unmatched for its purity, quality and reliability – a success which is reflected in its world-wide reputation amongst professional artists. It has 120 colours in the range, offering the widest spectrum of all the Winsor & Newton oil ranges
37ml
200ml
Artisan Water Mix Oils
37ml
Mediums
Sets
Varnish
Cotton Canvasses
This artists’ quality canvas range consists of carefully selected and prepared stretched cotton canvas to ensure outstanding quality. This range is now more comprehensive than ever before and is ideal for all techniques including heavier application of colour. Triple coated with two coats of highly pigmented primer and one coat of acid free sizing – all formulated by Winsor & Newton. Artists’ Canvas also offers balanced absorbency and tooth, essential for preventing the sinking of oil colour; this also means that the canvas has improved adhesion. All Artists’ Canvas is stapled on the reverse resulting in clean edges, to ensure that you can paint on all four sides. Professional stretcher bars are as standard and offer great strength and stability. Staples are on the back for for mounting unframed if desired. Available in standard or Deep Edge. Please note that all Winsor & Newton canvases are supplied with wedges. Wedges are used to expand the stretcher if the canvas slackens in adverse weather conditions. Wedges should be placed in the corners and tapped in with a pin hammer. The use of wedges is not a common requirement.
Designer Gouache
14 ml
30 ml
Sets
Griffin Fast Drying Oil
Griffin Fast Drying Oil Colour offers the excellent advantage of faster drying times compared to traditional oil colours. This means that the traditional oil techniques of both impasto and glazing can be done in considerably less time and a painting can be completed in a single session. The full range of 50 colours are ideal for working outdoors, and greater transparency means increased depth and clarity for glazes.
37 ml
200 ml
Ink 14 ml
Ink 500 ml
Mop Brushes
Professional Acrylic
After extensive research and development, we are proud to present the brightest ever range of Artists’ Acrylic. By combining our world-beating colour making experience with the latest developments in resin technology we have taken ‘brilliance’ to a new level. And that’s not all. Not only are our colours brilliant when wet but they remain as bright when dry – so what you see is what you get
60 ml
Sets
Varnishes
Watercolours
Since 1832 when Henry Newton and William Winsor introduced the first moist watercolours to the world, much of our reputation for supreme quality has stemmed from the Artists’ Water Colour range. Since then Artists’ Water Colour continues to be formulated and manufactured according to our founding principles; to create an unparalleled water colour range which offers artists the widest and most balanced choice of pigments with the greatest possible permanence. Each colour within this wide and balanced spectrum of 96 colours, has been selected and formulated to offer the greatest choice so that artists can use a unique palette that best suits their work.
Cotman
Cotman Water Colours are a range of moderately priced colours which have been carefully selected to offer a wide colour spectrum within a uniform price. A range which is suitable for both amateur artists or the accomplished artist who requires large volumes of colour at an economical price. The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed. The Cotman Water Colour range benefits from the formulations, manufacture and quality control that comes only from Winsor & Newton. The colour range itself relates to Artist’ Water Colours in hue, enabling the use of colours from either range with minimal adjustment to technique. Both Cotman and Artists’ Water Colours can be freely intermixed. If long term permanence is required with Cotman, use only colours rated **** or *** which are recommended as permanent for artists’ use.
8ml
21 ml
Brushes
Sets
Professional 14ml
Professional 5ml
Professional Half Pans
Professional Sets
Winton Student Oils
Winton Oil Colours are a range of moderately priced oil colours suitable for artists requiring good quality colour at a uniform and affordable price. Notwithstanding price, Winton has a high level of pigmentation which provides good covering power and is stronger than many artists’ quality ranges. Winsor & Newton formulation, manufacture and quality control ensure Winton is a product of absolute excellence. The range of colours is chosen according to mass tone (colour from the tube), undertone (bias of colour when in a thin film), strength and relative opacity. The resultant colour spectrum ensures the maximum number of colours can be mixed from the range. Winton colours may be safely intermixed with other Winsor & Newton Oil ranges with the exception of (a) thin alkyd films over thick oil films and (b) thick Oilbar films under oil films. A wide range of mediums are also available, allowing you to modify the characteristics of your tube colour e.g. consistency, gloss, drying rate and texture. The Winton range of colours have a uniform consistency which retains excellent brush and knife stroke textures.
37ml
200ml
Hog Brushes
Good value basic oid and acrylic brushes from Winsor & newton
Sets
Products
Acrylics
Acrylic Bronzes
Ready to use acrylic colours, for special effects on acrylic paintings and other grease free surfaces, such as paper, cardboard, wood, metal, plastic or gypsum. Use: Apply undiluted with a brush on the surface of your choice. Can be diluted with water; dries wipe and water resistant.
Aerocolor
Colours
Mediums
Sets
College
College® Acrylic colours in student quality, series 33 •36 colours in plastic tubes and 18 colours in jars •5 special College® Mediums •Well-established artists’ pigments in high concentration •No cadmium pigments •Good lightfastness and opacity •Satin-glossy surface •Mixes well with other Schmincke acrylic colours •Available in following sizes: 36 colours in 75 ml and 200 ml plastic tubes 18 colours in 750 ml jars
75ml
750ml
Mediums
Cryla
Cryla Artists’ Acrylic was introduced by Rowney & co. in 1963 and pioneered the use of artists’ acrylics in Europe; it is one of the significant milestones in the company’s development. Cryla Artists’ Acrylic colour is a very heavy-bodied colour with a high loading of permanent, lightfast pigments. The unique heavy, buttery feel under the brush and knife is popular with artists wanting to achieve a wide variety of impasto effects
75ml
Sets
Liquitex
Liquitex paints, mediums, and tools have been developed as a complete system to work on virtually all porous surfaces. Because all of our acyrlic paints and mediums have been formulated to intermix, artists can create an unlimited range of special effects: from thick sculptural applications to thin permanent watercolors and everything in between.
59 ml
138ml
Mediums
Liquitex offers the broadest range of acrylic mediums to inspire creativity at every stage of the painting process. We understand that acrylic mediums are often a difficult concept to grasp until you actually dive into them, so we’ve tried to simplify usage by classifying products in three distinct categories: Prep, Paint, and Finish.
Sennelier
CREAMY AND RICH TONES The goal of this new line was the creation of a line of artist-grade acrylics that has the consistency and rendering capability similar to those of extra-fine oils. The texture is that of a colour paste, creamy and rich, revealing desired brush or knife marks. With 120 shades, Sennelier offers one of the broadest palettes on the market. These colours have a high pigment content (primarily single pigments), selected to provide optimal stability over time. Sennelier has also included the colours that made its line of extra-fine oils famous. Thus, the colour chart includes the traditional ultramarines, earths, and ochres. It includes, among others, tones made from cadmium and cobalt based pigments. Finally, there are colours based on quinacridone, pyrrole, naphthol, and phtalocyanine from recent research that offer new possibilities to painters.
Abstract 120ml
Abstract 500ml
Professional 60ml
Sets
System 3
59ml
Daler Rowney System 3 acrylics are highly versatile, water-based acrylic colours. They offer an excellent painting experience at an economical price. Only high-quality pigments are used in the manufacture of the System 3 acrylic ranges, offering significantly greater loading than in other acrylic ranges available in this class. System 3’s comprehensive range of colours offers excellent light-fastness, permanence, durability and covering power. All colours can be thinned with water to pale washes, or used directly from the pot or tube; each form dries quickly to create an insoluble film. The quick drying properties of the range enable the artist to work quickly, superimposing or juxtaposing colours without unnecessary fuss. All System 3 Original colours are fully inter-mixable and suitable for interior use. As they are not light-fast, fluorescent colours are not recommended for exterior use; all other colours are both light-fast and durable.
250ml
500ml
Sets
Winsor & Newton Professional
After extensive research and development, we are proud to present the brightest ever range of Artists’ Acrylic. By combining our world-beating colour making experience with the latest developments in resin technology we have taken ‘brilliance’ to a new level. And that’s not all. Not only are our colours brilliant when wet but they remain as bright when dry – so what you see is what you get
60 ml
Sets
Primer
Acrylic primers are typically gesso based and can be used under acrylic or oil. Basically the more expensive primers cover better than cheaper ones. Often a good result can be had by combining a base coat of a cheaper primer under a top coat of a better one.
Mediums
All our acrylic mediums, student to professional
Varnishes
A varnish adds protection to your painting as well as often enhancing it. Acrylic is naturally mat, so choose a mat varnish to keep the look more or less the same, choose a gloss varnish to give it a shine. If the picture is going to be exposed to sunlight it is worth looking out for varnishes with UV inhibitors in them.
Books
General Books
Drawing Books
Acrylic Books
Oil Books
Still Life Books
Watercolour Books
Manga Books
Brushes
Brush Sets
Brush Soap
After a brush has been cleaned the cleaning agent needs to be itself removed from the brush. This is especially true in the case of oils, or where spirits have been used. Our brush soaps are designed specifically for this. In addition they have in them animal fats, which put the natural lubricants back into your natural hair brushes. Recommended. Wash the brush soap itself out with warm water, shake out the brush and leave standing upright in a jar with the bristles exposed to the air.
Craft Brushes
Cotman Angled
Da Vinci Angled
Da Vinci Vario Tip
Ex Large Brush
Lacquer Brush
Mottler Brushes
Pin Stripers
Sable Spotters
Silk Brushes
SPIN-SYNTHETICS „French” water colour brush, very smooth light brown synthetic fibre in plastic quills transparent lacquered handles sizes No. 0 to No. 10, without sizes 7 and 9 for all liquid colours, especially for water-colour and silk painting
Stencil Brushes
Oil & Acrylic Brushes
Cotman
Da Vinci Black Sable
Russian black sable, also known as high quality Russian fitch hair, lies directly between artist Chungking bristle and the finest Kolinsky red sable, but still gives the painter the benefits of red sable; its stiffness allows for bristlelike strokes, only smoother without marking the paint layers. In larger sizes black sable brushes have great colour carrying capacity. Excellent for delicate blending and smoothing out ridges, it is a favourite among portrait and realist painters. It is the most stable oil painting brush in the whole assortment. Seamless, nickel-plated brass ferrules give it durability and black sable is a great value when compared to Kolinsky red sable hair, especially in large sizes.
Da Vinci Dutch Filbert
from Da Vinci’s site: COSMOTOP-MIX B, quadruple thickness composition of the classical natural hairs, combined with synthetic fibre so-called silver ferrule
Da Vinci Extra Large
Da Vinci Large Flat Bristle
Large flat brushes – extra sturdy Chinese Chungking bristles long black-red polished handles rust-proof steel ferrule
Da Vinci Liner
Da Vinci Maestro Hogs
From Da Vinci’s site: MAESTRO white bristle brushes are built with the natural curve of bristles turned inwards. Two equally-sized tufts of bristle are set against each other without tension and made to interlock. Properly cleaned after each use the brush will retain this shape even after long use and many washings. Our choice of “brights” and “flats” is produced in four different bristle lengths to meet the requirements of all techniques. Our verdict: One of THE best artist’s hog brushes anywhere – their beautiful shape is an absolute joy to work with. They use continental sizing, smaller then the equivalent UK size, for example a 16 in this range is approximately the same size as an 8 in a UK size. These brushes will benefit from being looked after – use our brush soap to clean.
Da Vinci Red Handled Hogs
Da Vinci’s 2nd range of hogs, approx 1/2 the price of their clear handled Maestro range. Amazingly tough these are a great all rounder. recommended.
Da Vinci Red Sable
From Da Vinci’s own site: MAESTRO Tobolsky-Kolinsky Series are made from the sable „mustela sibirica“, living in the basins of the Tobol river. The colonies of these animals are under permanent supervision by the authorities not only for their precious fur but also due to their habit of digging into the embankments. Painters do appreciate especially the tail hair for the stunning elasticity in combination with extraordinarily fine tips. Each brush has been tested carefully.
Da Vinci Sable Riggers
Da Vinci Syntethic
Selection of synthetic hair brushes from da Vinci, from the very inexpensive College range upwards.
Escoda Detail Brushes
Escoda V Large Hogs
Fan Brushes
A specialist brush the fan is mainly used in Oils and Acrylic work in both portraiture (blending areas of the face for example) as well as in landscapes, where 3 or 4 dabs with the brush is a quick way to paint foliage. Use sable for ultimate softness (nylon being a cheaper alternative) hogs or bristle for rougher work.
Galeria Brushes
Monarch Brushes
Mottlers
Wide flat brushes, for uses in large scale painting, the application of grounds or primers, varnishing etc.
Varnish Brushes
A proper varnish brush is vital for successful varnishing of your picture. When you get one new give it a work out by varnishing a scrap of old canvas. This will give the brush a chance to shed its initial hairs – all brushes of this type do so when new – this will then stop. Saves picking hairs out from your newly varnished piece!
Winton Hogs
Good value basic oid and acrylic brushes from Winsor & newton
Watercolour Brushes
Cotman
Da Vinci Cosmo Synthetic
Da Vinci Maestro Sable
Da Vinci Mixed Hair
Da Vinci Mixed Hair Mops
Da Vinci Nova Synthetic
Da Vinci Riggers
Da Vinci Vario Tip
Escoda Detail Brushes
Escoda Syntethic W/Col
Nova Wash Brushes
Pocket Sable Brushes
Sable Spotters
Syntethic Mops
Travel Brushes
Winsor & Newton Mops
Pastel Brushes
Special brushes to aid in the distribution and blending of pastels
Schoolbrushes
Fitches
Soft Hair
Crafts
Airbrushes
Aerocolor Colours
Aerocolor Mediums
Aerocolor Sets
Adhesives
Fabric Paint
Glass Paint Transparent
Tile Paint Opaque
Bronzing Powders & Gels
Formulated based on real metal pigments for painting techniques in oil, acrylic and water-colour/Gouache colours. 5 colours are available: rich gold, rich pale gold, pale gold, copper and silver
Powders
Acrylic Base
Ready to use acrylic colours, for special effects on acrylic paintings and other grease free surfaces, such as paper, cardboard, wood, metal, plastic or gypsum. Use: Apply undiluted with a brush on the surface of your choice. Can be diluted with water; dries wipe and water resistant.
Watercolour Base
For glossy metal effects in Gouache- or water-colour paintings on less absorbent surfaces such as paper, cardboard, painting board or canvas (not suitable for gypsum, metal or plastic!). Use: Mix required quantity of Aqua-Bronzes shortly before application with little water on a palette. Can further be diluted with water. The amount of added water influences the opacity and gloss of the colour
Oil Base
Iridescent metal effect on oil paintings or other pre-primed surfaces, such as wood, metal or gypsum. Use only in combination with bronze medium (50 032) – containing cumarone resin. When used on absorbent surfaces, we recommend an additional pre-treatment with turpentine substitute (50 019) and thinned bronze medium. Use: Mix 3 parts Oil-Bronze and 2 parts bronze medium with a painting knife – shortly before application. If requested, thin with e. g. turpentine substitute; dries wipe and water-resistant. Colour layers remain soluble to oil of turpentine (50 102) or turpentine substitute after drying.
Guilding
Gutta
Silk Paint
Varnishes
Clay – Dublin
Clays, Polymer and natural. Online for delivery Dublin – for other areas please contact for quote.
Drawing
Drawing products
Drawing Sets
Drawing Pencils
Castell 9000
Columbus
Grafwood
Conte Sticks
Conte Stick Sets
Charcoal
We offer the 2 leading brands of charcoal – Coates Willow Charcoal and Nitram extra black charcoal
Willow
Started in 1819 by Robert Coate, a ‘withy merchant’, buying and selling local willow crops, Coate’s Willow Charcoal has been recognised for many years as the best charcoal in the world. Superior vine charcoal is black in colour and smooth in texture, as favoured by artists.
Nitram
A truly stunning range of charcoal, blacker than the traditional willow. The square sticks can be easily brought to a wonderful point using the sharpening block. The large pieces are for when you really want to go Big! Recommended
Clutch Pencils
Coloured Pencils
Faber-Castell uses the highest quality materials in Polychromos pencils, including pure lightfast pigments. Their smoothness and reistance to smudging makkes them a pleasure to use. The leads can be sharpened to a very fine point allowing toe to draw fine filigree detailsor cover extended areas. No wonder they have been artists, favourit pencils for over 100 years Product features Superior pigments of unsurpassed light fastness and brilliance Thick impregnated leads Water resistant and smudge proof Intense colours with a smooth colour lay-down Special bonding to prevent breakage Can be used on a variety of materials e.g. paper, card and wood Available in 120 individual colours Available in tins of 12, 24,36,60 and 120
Conte Pencils
Polychromos Colours
Polychromos Sets
Crayons
Calligraphy
Erasers
Graphite
Leads
Manga
Markers
Edding
Posca
Pro Marker Colours
One of the standard bearers in marker drawing, the traditional twin tip marker
Pro Marker Sets
Watercolour Markers
You won’t find another marker quite like these ones – Winsor and Newtown decided to get creative and make water colour in pen-form. Blending varies depending on the paper you use, but they’re designed to make gorgeous washes when combined with water. Because they have dual nibs, you can also use them for fine detail and sweeping line thicknesses.
Misc Drawing
Drawing Pens
Fine Line
Technical Pens
Dip Pens
Pitt Pen Colours
Pitt Pen Sets
Schneider Fine Line
Sharpeners
Drawing Instruments
Watercolour Pencils
Art Grip Aquarelle Ea
Art Grip Aquarelle Sets
Albrecht Durer Ea
Albrecht Durer Sets
Supracolor Ea
Supracolor Sets
Inks
Aerocolor Acrylic Inks
Calligraphy Inks
FW Inks
W&N Ink 14 ml
W&N Ink 500 ml
Gouache
W&N 14 ml
W&N 30 ml
W&N Sets
Oils
Artisan Water Mixable
37ml
Artisan Mediums
Artisan Varnish
Artisan Sets
Charvin Fine Oils 150ml
Griffin Fast Drying
Griffin Fast Drying Oil Colour offers the excellent advantage of faster drying times compared to traditional oil colours. This means that the traditional oil techniques of both impasto and glazing can be done in considerably less time and a painting can be completed in a single session. The full range of 50 colours are ideal for working outdoors, and greater transparency means increased depth and clarity for glazes.
37 ml
200 ml
Michael Harding
In his own words: “My paints are made by hand, using techniques which date back to the days of the Old Masters. There is a very simple reason for this painstaking process. As an artist and painter I wanted to create colours that were true and vibrant, and paint which was beautiful and durable. The greater the pigment content of a paint the greater the resistance it has to fading. Nearly all manufacturers use various fillers to extend the volume of the oil paint. It may increase profits but it compromises on quality. I totally refuse to do this. Why make something exceptional and then dilute it? I will not claim that my paints will turn you into a great painter, but I can promise they will have a profound effect on your work. Your colours will be stronger and richer, and you will find the texture of the paint incomparable. You will love working with them. Try them. You will be amazed”
40ml
250ml
Mediums
Norma Professional
Norma® PROFESSIONAL Finest artists’ oil colours, series 11 84 shades including unique special tones Use of renewable raw materials e.g. pure high-quality plant oils Only highest light fastness (4 + 5 stars) The drying process occurs evenly and there is an even consistency among all colours Maximum efficiency by using the highest concentration of pigments Versatile colours suitable for all painting techniques We recommend these are a very good value Artist’s quality paint
35ml
120ml
Sets
Schmincke College
College® Oil Series 31 Beginners as well as artists who use large quantities of colours can now obtain a new reliable artist oil colour in student quality with 24 colours made of proven artists’ pigments and natural plant oils (linseed and sunflower oil). All colours are available in 200 ml-tubes in only one price group – including gold and silver. The range includes 18 opaque/semi-opaque and 6 transparent/semitransparent colours, with very good light fastness ratings (4 – 5 stars) for durable intense colours. oil colours are compatible with all other Schmincke oil colours ( MUSSINI®, Norma® Professional, AKADEMIE® Öl color) as well as the Schmincke oil colour mediums. Benefits: oil colours are characterized by easy use and application. The colours can easily be mixed and dry quite fast and evenly. The smooth and buttery consistency allow the use of brushes and painting knives maintaining – when desired – the brush strokes. Primary colours College yellow, College magenta and College cyan allow infinite mixture of brilliant colour shades. SPECIAL OFFER WHILE STOCKS LAST – Buy 1 get a free Schmincke brush, Buy5 get a free white Your free products will be added to your order before we dispatch.
35ml
200ml
Schmincke Mussini
MUSSINI®, finest artists’ resin-oil-colours, series 10 The artists’ natural resin-oil-colours which are unique throughout the world Based on old masters’ formulations 101 colours + 7 new gold shades offering the ultimate in brilliance and purity, including 64 single pigment colours 42 exquisite translucent colours Premium artists’ pigments in highest concentrations Maximum possible light-fastness Balanced drying process Tension-free and durable colour-layers
35 ml
Mediums
Sennelier Artists
In 1887 (same year as ourselves!), Gustave Sennelier established himself as a colour merchant on the Quai Voltaire in Paris. Sennelier’s passion for colour chemistry and focused pigment research led to the development of a distinctive oil colour manufacturing process that has been employed for generations. Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture, a consistency originally developed for the expressive style of the Impressionist painters who frequented the Sennelier store in the 19th century. Sennelier’s meticulous work, his vast knowledge of pigments, his talents as a colourist, and collaboration with Cezanne and other Masters gave rise to a palette of oil colours that quickly became the standard of quality. Favoured by some of the greatest artists (Monet, Gauguin, Matisse, Picasso, Bonnard, Modigliani, Chagall, Ernst, Hockney), Sennelier oils hang in the world’s most prestigious museums. Today, Sennelier’s classic palette is expanding with 50 new, original shades that encompass contemporary…
40ml
200ml
Sets
Winsor & Newton Professional
Artists’ Oil Colour is unmatched for its purity, quality and reliability – a success which is reflected in its world-wide reputation amongst professional artists. It has 120 colours in the range, offering the widest spectrum of all the Winsor & Newton oil ranges
37ml
200ml
Winton
Winton Oil Colours are a range of moderately priced oil colours suitable for artists requiring good quality colour at a uniform and affordable price. Notwithstanding price, Winton has a high level of pigmentation which provides good covering power and is stronger than many artists’ quality ranges. Winsor & Newton formulation, manufacture and quality control ensure Winton is a product of absolute excellence. The range of colours is chosen according to mass tone (colour from the tube), undertone (bias of colour when in a thin film), strength and relative opacity. The resultant colour spectrum ensures the maximum number of colours can be mixed from the range. Winton colours may be safely intermixed with other Winsor & Newton Oil ranges with the exception of (a) thin alkyd films over thick oil films and (b) thick Oilbar films under oil films. A wide range of mediums are also available, allowing you to modify the characteristics of your tube colour e.g. consistency, gloss, drying rate and texture. The Winton range of colours have a uniform consistency which retains excellent brush and knife stroke textures.
37ml
200 ml
Sets
Oil Bronzes
Iridescent metal effect on oil paintings or other pre-primed surfaces, such as wood, metal or gypsum. Use only in combination with bronze medium (50 032) – containing cumarone resin. When used on absorbent surfaces, we recommend an additional pre-treatment with turpentine substitute (50 019) and thinned bronze medium. Use: Mix 3 parts Oil-Bronze and 2 parts bronze medium with a painting knife – shortly before application. If requested, thin with e. g. turpentine substitute; dries wipe and water-resistant. Colour layers remain soluble to oil of turpentine (50 102) or turpentine substitute after drying.
Mediums
Cleaning Mediums
Oil Mediums
Solvents & Dilutants
Primers
Varnishes
Aerosol Varnish
Bottled Varnish
Dippers
Palette & Painting Knives
Watercolours
Aqua Bronzes
For glossy metal effects in Gouache- or water-colour paintings on less absorbent surfaces such as paper, cardboard, painting board or canvas (not suitable for gypsum, metal or plastic!). Use: Mix required quantity of Aqua-Bronzes shortly before application with little water on a palette. Can further be diluted with water. The amount of added water influences the opacity and gloss of the colour
Horadam
HORADAM® AQUARELL Finest artists’ water-colours, series 14 110 colours in small and large tubes and full and half pans Each colour has its own individually optimized formula 69 single pigment colours for brilliant mixing results Pans poured 3-4 times in liquid state Highest lightfastness Dried colour can be rewetted for further use High control of paint flow even on soft water-colour papers Excellent quality “Made in Germany” Same formulations for tubes and pans Available in following sizes: 110 colours in whole (3,2 ml) pans and 15 ml tubes
15ml Tubes
Whole Pans
Schmincke Horadam Pans are unique – it is the SAME paint that is in the tubes. Schmincke are the only manufacturer to do this. This means the colours never go hard!
Sets
Horadam Watercolours by Schminke feature brilliant colours in large whole pan at a very good price. Highly recommended. The large pan size makes them very easy to use.
Sennelier
HONEY-BASED WATERCOLOUR A watercolor tailored to the needs of today’s artists. A honey-based watercolor. Honey has many virtues: a symbol of light and sun, an emblem of poetry and science and has been used since Ancient times as a remedy for dry skin and to help heal wounds. This nectar is used in L’Aquarelle Sennelier not only as a preservative but as an additive giving incomparable brilliance and smoothness to the paint. Always striving for excellence, Sennelier has reworked its watercolor formula with increasing the amount of Honey in the paint to reinforce the longevity of the colors, their radiance and luminosity. Watercolors Made in France using traditional methods. L’Aquarelle Sennelier has been produced in the same way for more than a century using the best pigments and top quality Kordofan Gum Arabic as a bonding agent. This mix of natural ingredients produces colours which have a smooth, bright texture and offer lively, colourful shades. The Gum Arabic and honey combination offers incomparable quality of application, producing superb washes. Then, this base is mixed with pigments and carefully ground. Sennelier makes sure to wet the pigments in purified water (with no mineral salts) for 24 hours before mixing them in…
Tubes 10ml
Sets
Winsor & Newton
Since 1832 when Henry Newton and William Winsor introduced the first moist watercolours to the world, much of our reputation for supreme quality has stemmed from the Artists’ Water Colour range. Since then Artists’ Water Colour continues to be formulated and manufactured according to our founding principles; to create an unparalleled water colour range which offers artists the widest and most balanced choice of pigments with the greatest possible permanence. Each colour within this wide and balanced spectrum of 96 colours, has been selected and formulated to offer the greatest choice so that artists can use a unique palette that best suits their work.
Cotman 8ml
Cotman 21 ml
Cotman Sets
Professional Tubes 5ml
Professional Tubes 14ml
Professional Half Pans
Professional Sets
Watercolour Mediums
Schmincke
Winsor & Newton
Watercolour Palettes
Spray Paint
Montana BLACK
Montana BLACK is the superior can of it’s class. The Nitro-Combination based formula ensures a high coverage, matte finish, perfect control and handling. Short drying time allows rapid re-application and overlapping with other colors immediately. Non-scented aerosol paint made to the highest quality, health and environmental standards. Montana BLACK spray paint is famous for its quality and reliability. The perfect tool for street art and graffiti artists. With it’s high pressure valve, Montana BLACK allows users fast application. Weather and winterproof.
Pigments
Kremer
Painting Surfaces
Canvasses
Pintura Canvasses
Pintura Gallery Canvasses
Reeves Canvasses
Reeves Artist Gallery canvas is a high quality double-primed artist canvas made from 100% cotton expertly stretched and mounted onto a wood frame. These canvases have no side tracks which make them smooth and clean for painting and hanging without a frame. Available in Standard or Deep Edge
W&N Cotton Canvasses
This artists’ quality canvas range consists of carefully selected and prepared stretched cotton canvas to ensure outstanding quality. This range is now more comprehensive than ever before and is ideal for all techniques including heavier application of colour. Triple coated with two coats of highly pigmented primer and one coat of acid free sizing – all formulated by Winsor & Newton. Artists’ Canvas also offers balanced absorbency and tooth, essential for preventing the sinking of oil colour; this also means that the canvas has improved adhesion. All Artists’ Canvas is stapled on the reverse resulting in clean edges, to ensure that you can paint on all four sides. Professional stretcher bars are as standard and offer great strength and stability. Staples are on the back for for mounting unframed if desired. Available in standard or Deep Edge. Please note that all Winsor & Newton canvases are supplied with wedges. Wedges are used to expand the stretcher if the canvas slackens in adverse weather conditions. Wedges should be placed in the corners and tapped in with a pin hammer. The use of wedges is not a common requirement.
Winsor & Newton Linen
Bespoke Canvasses Cotton
Looking for a better canvas than the readymades? These might well be what you want. Some sizes listed here, contact us for others.
Bespoke Canvasses Linen
Top of the Top. Our famous Linen canvasses, made to order. Some sizes here, more available by special request.
Canvas Rolls
Stretchers
Small to large, ready to assemble or to order, we have the stretcher you’re looking for here
Small
Large
Oil Surfaces
Adria Canvas Panels
Arches Oil Blocks
Daler Boards
Watercolour Surfaces
Moulin Du Roy Paper
Arches W/Col Blocks
Professional grade watercolour paper of the highest quality. 100% Cotton, cylinder mould made with natural gelatin tub sizing. Natural white (no optical bleaches) and Acid Free. 20 Sheets glued on 4 sides with a gap for inserting a blade to lift off the top sheet when done. One of the best blocks on the market – use once and you won’t want to change!
Arches W/Col Sheets
Professional grade watercolour paper of the highest quality. 100% Cotton, cylinder mould made with natural gelatin tub sizing, 4 deckled edges. Natural white (no optical bleaches) and Acid Free. Watermarked with Arches logo
Bockingford Sheets
Bockingford mould is made from 100% photographic quality wood pulp. Acid-free and buffered with calcium carbonate to give long-life properties unaffected by atmosphere acidity. Free from optical brightening agents. Bockingford is colour-stable and will not change colour when exposed to light. Suitable for watercolour, drawing, gouache, charcoal and printmaking.
Langton Pads
For many years artists have appreciated the qualities of the Langton. The paper is colour-stable, mould-made and acid-free. The best watercolour papers are acid-free to prevent the deterioration of paint and to preserve the integrity of the paper over time.
Langton Sheets
Yupo Sheets
Paper
Cartridge Paper
High quality 120g smooth cartridge, available in reams, quires and single sheets
Sketching Paper
Canford
Canford Coloured Paper and Card are high-quality paper and stiff card in a wide range of brilliant, matt colours, perfect for presentation and display in every setting – from the professional design studio to the school art room. It’s also an exciting and versatile medium in its own right for paper sculpture and modelling, decorative arts, collage and craft. Easy to cut, curve, crease and emboss to create three-dimensional works of art.
Craft Paper
Craft papers, various weights sizes and quantities
Card
Brown Card
Coloured Card
Good value 300 card, size 50 x 70cm
Double Imperial Mount
Mount Boards A1
Mi Teintes Pastel Paper
Mi-Teintes® paper comes in a good range of different colors and is dual-surfaced which allows artists to explore different techniques along with a large range of mediums. Mi-Teintes® offers the most extensive color selection in the market. Heavy texture for pastel and other broad media on one side; lighter texture for soft pencil on other. Light-fast and Acid-free. Mi-Teintes is 50% cotton. For several centuries now, Mi-Teintes® has been used by master pastel painters and is still recognized worldwide as the preferred paper for paste
Tracing
Printing Paper
Pads
Calligraphy Pads
Hard Back Pads
Pastel Pads
Sketch Pads
Layout Pads
Tracing Pads
Watercolour Pads and Blocks
Watercolour Paper
Arches Blocks
Arches Sheets
Moulin Du Roy Paper
Watercolour Boards
Pastels
All our pastels, separated by type
Conte Carres Crayons
Conte Sticks
Conte Carres Crayon Sets
Pastel Pencils
Pastel Pencil Sets
Pastel Fixative
Goldfaber Chalk Pastels
Not as soft as Sennelier or Schmincke but far cheaper. In addition the square shape ensures you can always get a line by using the corner.
Goldfaber Oil Pastels
Inscribe Chalk Pastels
Inscribe Oil Pastels
Neocolour I
Neocolor I water-resistant wax oil pastels are must-have medium much loved by artists, technical designers, teachers and Fine Art students alike. Internationally known by its own name and a pioneer in the field, Neocolor I revolutionised the world of drawing and art teaching from the time of its creation in 1952 in the Caran d’Ache workshops. Its excellent coverage, the smoothness of texture, the luminosity of the 60 colours in the entire range, together with its resistance to water and extreme lightfastness, make it one of the pillars of the Geneva-based Manufacture. The Neocolor I’s properties enable countless applications on all kinds of backgrounds or materials. Suited to endless forms of artistic expression – from strokes to flat-wash, sgraffito or hot-wax painting, its colours remain as luminous as ever on coloured or dark materials.
Neocolour II Water Soluble
Neocolor II water-soluble wax oil pastels highlight the enormous innovative capabilities of the Maison Caran d’Ache. Created in 1972 as the continuation of the famous Neocolor I range, they offer boundless creative possibilities for artists and beginners alike. Basing their work on the existing excellent qualities – exceptional coverage, smoothness and extreme lightfastness –, the craftsmen of the Manufacture added water solubility, a property greatly appreciated by connoisseurs of the Maison from all manner of artistic fields and from school age upwards. Neocolor II can be used for all forms of creativity, ranging from drawings on dry or wet materials, monotypes, impregnation, wet drawing, glazing or rainbow gradation. With 84 colours, the entire range offers almost unlimited scope for the imagination, to the point where even experienced artists once more see things through the eyes of a child, thereby liberating the purest of all creative energies: that of the sheer wonderment evoked by colours.
Neopastel
With its soft, velvety texture and high pigment content, the Neopastel oil pastel offers artists and Fine Art teachers and students a flexible medium with strong colours. Developed in the Caran d’Ache workshops on the advice of expert pastel artists, Neopastel is a must with its huge range of 96 luminous hues, incorporating a wide selection of grey, warm and cold tones. Neopastel offers excellent coverage making it suitable for a wealth of applications and artistic combinations: from lines to flat-wash, blending to stencilling, or batik effect to sgrafitto in multiple layers. Its wide 10mm diameter, refined texture, water resistance and excellent lightfastness make it ideally suited for use on diverse materials, be they tinted or dark. Non-drying, non-oxidisable and heat resistant, Neopastel is also soluble in turpentine and can be used with ease for oil painting on canvas.
Pastel A l’Ecu
EXCEPTIONAL BRIGHTNESS It took over three years, at the turn of the 20th Century, to formulate the Sennelier range of Extra Soft Pastels “à l’écu” and thus to create one of the largest chromatic range of pastels. Throughout the century, this range of tones has evolved, but the heart of its making remains unchanged.
Pastel a l’Ecu Sticks
Pastel a l’Ecu Sets
Pastel Primer
Schmincke Pastels
Working with Schmincke’s finest extrasoft pastels leads you back to the origin of colour and is a real painting experience rather than simple drawing. They contain only the purest medium fine ground artists’ pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery during manufacture. ‘Worm extruders’ form the pre-kneaded dough into round skeins, which are then detached by hand and cut in a wirestrung frame. The damp sticks have to dry for around eight days before they can be labelled and packed by hand. This is a costly and time consuming process, however it is the only way Schmincke can guarantee homogenous quality and smoothness in all the production cycles, in order that the artist can be assured that his favourite colour shade is consistant throughout our range of finest extra-soft artists’ pastel colours. The complete assortment includes 400 colours classified in 80 rows with 5 colours each. The range contains also 5 additional pearl lustre effect colours. Pastel paintings will always remain…
Schmincke Pastel Sticks
Schmincke Pastel Sets
Schmincke Pastel Mediums
Sennelier Oil Pastels
In 1949, Parisian painter Henri GOETZ approached Henri SENNELIER the famous artist materials manufacturer, about creating a wax colour stick for his friend Pablo PICASSO. Picasso, a long-time Sennelier customer and a frequent visitor to their store across the street from the Louvre museum, was looking for a medium that could be used freely on a variety of surfaces without fading or cracking. Their collaboration produced the incomparable SENNELIER oil pastels. Originally available in a palette of classic hues, the colour selection was expanded with the addition of metallic and iridescent hues. Beyond these classic hues a selection of unique shades is available, and in particular a gradation of greys, required for a balanced palette. This evolution is the fruit of a long-standing collaboration with European and North American painters, who have worked with our company in developing an exceptional palette of shades. The Sennelier oil pastel is a product that makes use of the components used in all Sennelier colours: top quality pigme nts, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidise and that has no effect upon either film stability or surface. This…
Sennelier Oil Pastel Sticks Small
Sennelier Oil Pastels Large
Sennelier Oil Pastel Sets
Pastel Card
Mi Teintes Pastel Paper
Mi-Teintes® paper comes in a good range of different colors and is dual-surfaced which allows artists to explore different techniques along with a large range of mediums. Mi-Teintes® offers the most extensive color selection in the market. Heavy texture for pastel and other broad media on one side; lighter texture for soft pencil on other. Light-fast and Acid-free. Mi-Teintes is 50% cotton. For several centuries now, Mi-Teintes® has been used by master pastel painters and is still recognized worldwide as the preferred paper for paste
Printing
Lino Blocks & Rollers
Schmincke Lino Inks
Finest artists’ water-based aqua LINOPRINT colours, 15 brilliant shades as well as 3 effect colours (gold, silver, copper) 4 special mediums + 1 universal fixative water-based colour + natural raw materials (gum Arabic) only highest light fastness (4+5 stars) even, sharp prints highly intense colours, good miscibility Available in following sizes: 35 ml tubes (15 + 3 effect colours), 120 ml tubes (17 colours), 250 ml jars (7 colours)
35ml
120ml
Col & Co Lino Inks
Schools quality Lino Ink in 250ml tubes
Etching
Grounds
Ink 60ml
Ink 200ml
Ink 400ml
Ink 800ml
Litho
Printing Paper
Printing Plates
Printing Presses
Screen Printing
Studio Equipment
Adhesives
Cutting Matts
Easels
Box Easels
In many ways he Ideal Easel ! The box design makes this easel very sturdy in indoor or outdoor use. The palette stores away wet for later cleaning, and 2 canvasses or boards can be carried on the front of the easel without touching each other. The legs fold up into the easel, making it easy to carry and suitable for table use. Available in 2 sizes
Portable Easels
Studio Easels
Table Easels
Misc Easels
Light Boxes
Painting Boxes
Palettes
Portfolios
Portfolios – Luggage
Portfolio Tubes
Project Bags
Drawing Instruments
Knives
Rulers
Set and T Squares
Staplers
Tapes
Gifts & Tokens
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Gift Tokens
Gifts
Acrylics
Brushes
Custom Gift Sets
NOW AVAILABLE – We make up customized gift sets to suit all artist at all levels and any budget. They make an ideal Christmas gift for loved ones! Just call into us in store and ask. We’d be delighted to help!
Drawing
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Pritt
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Coloured Pencils
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Pastels and Crayons
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